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Back to Celfaire		Furniture
  •  Large, cherry-stained armchair. Scroll-style armrests, fitted with a red velvet seat cushion. A scene depicting fluttering cherubim - nude and childlike - with arrows at the ready amongst the clouds is clearly, carefully carved on the inside of the curved back.
  • Medium-stained coffee table, floral patterns carved and stained a darker color into its top and down its legs, which sit on small, squared ends.
  • Black coffee table, its middle set with thick glass, and a sturdy shelf beneath. This one's legs are thick and carved outside just below where the cease needing their extra support with a simple, elegant design, presumably to save it from seeming plain. Unlike the previously-mentioned table, its legs remain thick all the way through.
  • Large, dark cherry-stained wardrobe, sits on two thick, curved legs and curves at the top. There is room only for hanging clothes, but it's rather deep and comes with a number of matching hangers he's made. Into the right door is carved an angelic figure with its back turned; into the left, a demonic figure. Rounded 'beads' fatten the middle of each leg. The inside, unlike the outside, is not finished--but unopened, the piece gleams in the sunlight. Handles textured with vertical rises and indentations easily open and close the doors.
  • Large, black cabinet with glass for open display of its contents and four strong shelves, the space between the first and bottom of the inside serving as a large fifth. Small knobs of steel open it, and a similarly-made lock is set between each door. A drawer rolls out from its belly, containing in an obscure corner the lock's key. Four legs hold this piece up, and two angels are carved on the left and right front sides. Their genders are hard to tell, as only eyes and the beginning of strong noses are visible beyond the intricately-feathered wings folded in front of them. Furthermore, only the smallest parts of their forearms and hands can be seen as they stab broadswords to frame the glass showcase.
  • A small, black, four-legged piano bench with a red velvet cushion. Very simple, but made of heavy, sturdy wood. Again, its legs are textured, this time with rounded tops and vase-like bulges about their middles. 
  • A large, full-sized, four-poster bed of medium-colored, finished wood. Each post has impeccably-carved spirals running up it, into figures like torch fixtures where they meet either end. While the foot of the bed has plain, square designs, the head--right above where one would rest his head--has a pair of spread angel's wings, as though the heavens watched over the sleeper. Forest green, velvet curtains are hung from it, trimmed in red and gold and patterned with arabesques, and for now tied back with thicker, darker green lengths of velvet. The mattress set within is soft and welcoming, neatly made with dressings in much the same spirit. While the furniture itself was made by him, one could surmise that the rest was not.